Browse Items (56 total)

  • Tags: Arts and Crafts

http://www.penninehorizons.org/Omeka_photos/HLS00169.jpg
Tinted lithograph of the station by A. F. Tait from his book 'Views on the Manchester & Leeds Railway, published in 1845. This section of the line had opened in October 1840.

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Tinted lithograph of Whitely Arches by A. F. Tait from his book 'Views on the Manchester & Leeds Railway' published in 1845. The valley is so narrow at this point with the river, canal and turnpike all squeezed into the valley bottom that with the…

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Lithograph by A. F. Tait dated 1845 from Views of the Manchester & Leeds Railway. Drawn from Nature and stone.

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The Todmorden viaduct, laid out on a curve, comprising nine spans. The stone came from Lobb Quarry, near Dobroyd Castle. Drawing by A. F. Tait

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The skew bridge passing over the Rochdale Canal at Gauxholme with a clear span of 101 ft. The castellated abutments of solid masonry were brought from Knowlwood Quarry. Along with Whiteley Arches at Charlestown this was one of the first bow string…

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A general view from Holebottom showing the railway cutting across the centre of the town. Clearly visible on the right are Christ Church and its Vicarage. The former Ridgefoot Mill complex can be seen abutting the viaduct.

From a lithograph by…

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A painting by Alfred Bayes, the Lumbutts-born artist, depicts a packhorse train travelling along the moorland causey stones, which still exist in many places today. The horses, led by a drover, were disciplined to follow the sound of bells fastened…

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Created by Jamie Wardley of Sandinyoureye as part of the Hebden Royd Town Council commemoration of the start of WW1. Entitled 'Loss is Eternal' it depicts the receipt of a notification of the death of a loved one.

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Slide 2 - In the house are many portraits of the Pilkingtons, brought from Stanley Hall, (some of which are shown in the photograph which is a view of the Dining Room) and many paintings which Sir Lionel Pilkington brought from Italy.

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Slide 3 - This shows the inner entrance hall of Chevet. The staircase shown through the archway, has evidently been erected in Tudor times, by Sir John Neville.

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Slide 12: Having viewed the exterior of the house, let us now enter this ancestral home by the principle door facing the Quadrangle. On entering we pass through a pair of swing doors direct into the Saloon, a spacious apartment, filled with costly…

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Slide 13: A door out of the Saloon leads into the Dining Room. The walls are wainscoted in oak formed into large panels. At the end of the room is an arched recess which forms an effective feature. The mantelpiece is a good example of work of the…

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Slide 14: A view of the mantelpiece showing it more in detail.

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Slide 15: The interior of this fine old Mansion is most interesting, bearing come similarity to Haddon Hall. In the room known as "Lady Betty Hasting's Room" is a fine panelled oaken mantelpiece, bearing the date 1588, and the initials W.W, and E.W.,…

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Slide 9: It is a fine apartment, and very characteristic of the period at which it was built, namely the early part of the 18th century. The furniture in the room has a substantial and homely character about it. Over the mantle-piece are the arms…

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Slide 10: The house is rich in family portraits, one of which is seen over the sideboard at the end of the Dining room, and is a portrait of John Hutton, died 1782. Note also the peculiar weight clock in an upright oak case, standing on three claw…

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Slide 11: Marske owes its splendid library of books to Mr John Hutton, who died in 1863, aged 84. A view of the room in which the books are stored is now shown. Over the mantle-piece hangs a portrait of Matthew Hutton, who formed the destinies of…

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Slide 13: The next Hutton who figures in history was another with the Christian prefix Matthew, who was born at Marske, January 8th 1692, and who entered the Church, and became successively Bishop of Bangor in 1743, Archbishop of York in 1747, and…

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Slide 14 - In the Drawing Room, which we now enter, is a somewhat florid example of an 18th century mantelpiece in various coloured marbles. Over this is a painting which according to an accompanying tablet states it is a portrait of the Honourable…

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Slide 3 - Thomas Viscount Fauconberg. Thomas, his grandson, succeeded as Viscount Fauconberg, who nmarried first, Mildred, daughter of Viscount Castleton, and second, in 1657, Mary, third daughter of Oliver Cromwwell.

There were great national…

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Slide 4 - Portrait of Mary, Countess Fauconberg. In the long gallery at Newburgh is a portrait by Sir Godfrey Kneller of Mary, Countess of Fauconberg and daughter of Oliver Cromwell.

After seeing all hopes of the sovereignty continuing in her own…

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Slide 6 - In the same name and family through a succession of Viscounts, these estates continued till1825, when Lady Anne, second daughter and eventual heiress of Henry, last Earl of Fauconberg, married Sir George Wombwell, second Baronet and thus…

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Slide 4 - The house is rich in portraits of the Cholmleys and the Yorkshire families with which they have intermarried.

Amongst other curious relics inside the house is a large model of a warship of the time of Charles the First, fully rigged and…
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