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&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
Alice's Album - The Story of a Hebden Bridge Photographer's Studio, has the answer and much more!  Copies are still available from local bookshops and online from Hebweb. This 68-page high quality soft-back lavishly illustrated with photographs in colour, sepia and black and white, it tells the story not only of Alice but of Crossley Westerman and his daughter, Ada, too, without whom there would be no collection.&#13;
&#13;
Founder of the studio in the early 1890s, Crossley Westerman could have had little inkling of the amazing retailing tradition he had set in motion, ending only with the death, 100 years later, of Alice Longstaff who took over in 1935.&#13;
&#13;
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&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
Alice's Album - The Story of a Hebden Bridge Photographer's Studio, has the answer and much more!  Copies are still available from local bookshops and online from Hebweb. This 68-page high quality soft-back lavishly illustrated with photographs in colour, sepia and black and white, it tells the story not only of Alice but of Crossley Westerman and his daughter, Ada, too, without whom there would be no collection.&#13;
&#13;
Founder of the studio in the early 1890s, Crossley Westerman could have had little inkling of the amazing retailing tradition he had set in motion, ending only with the death, 100 years later, of Alice Longstaff who took over in 1935.&#13;
&#13;
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                  <text>Alice Longstaff (née Speak) (d. 1992 aged 85) was a remarkable lady. Born at Little Lear Ings farm in Heptonstall on May 16 1907, she started work at 14 years old, in September 1921, as apprentice photographer at the Westerman Studio, 25 West End, Hebden Bridge. Crossley Westerman had established the studio in 1890; on his death in 1918 his daughter Ada took over the business, and it was Ada who trained the young apprentice. Alice remained there for the next 70 years. In 1935 she and her family bought the business, and her brother Clement became the framer and darkroom technician, until he died in 1963. In 1935 Alice married John Longstaff who joined the business as picture framer when Clement died, and they continued to work together until her death in 1992.&#13;
&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
Alice's Album - The Story of a Hebden Bridge Photographer's Studio, has the answer and much more!  Copies are still available from local bookshops and online from Hebweb. This 68-page high quality soft-back lavishly illustrated with photographs in colour, sepia and black and white, it tells the story not only of Alice but of Crossley Westerman and his daughter, Ada, too, without whom there would be no collection.&#13;
&#13;
Founder of the studio in the early 1890s, Crossley Westerman could have had little inkling of the amazing retailing tradition he had set in motion, ending only with the death, 100 years later, of Alice Longstaff who took over in 1935.&#13;
&#13;
It's amazing enough for a business to survive for around a century but for it to be in the hands of only three proprietors makes for a fascinating story which "Alice's Album" tells from beginning to end.</text>
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0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
Alice's Album - The Story of a Hebden Bridge Photographer's Studio, has the answer and much more!  Copies are still available from local bookshops and online from Hebweb. This 68-page high quality soft-back lavishly illustrated with photographs in colour, sepia and black and white, it tells the story not only of Alice but of Crossley Westerman and his daughter, Ada, too, without whom there would be no collection.&#13;
&#13;
Founder of the studio in the early 1890s, Crossley Westerman could have had little inkling of the amazing retailing tradition he had set in motion, ending only with the death, 100 years later, of Alice Longstaff who took over in 1935.&#13;
&#13;
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&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
Alice's Album - The Story of a Hebden Bridge Photographer's Studio, has the answer and much more!  Copies are still available from local bookshops and online from Hebweb. This 68-page high quality soft-back lavishly illustrated with photographs in colour, sepia and black and white, it tells the story not only of Alice but of Crossley Westerman and his daughter, Ada, too, without whom there would be no collection.&#13;
&#13;
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&#13;
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&#13;
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&#13;
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Founder of the studio in the early 1890s, Crossley Westerman could have had little inkling of the amazing retailing tradition he had set in motion, ending only with the death, 100 years later, of Alice Longstaff who took over in 1935.&#13;
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&#13;
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&#13;
Alice's Album - The Story of a Hebden Bridge Photographer's Studio, has the answer and much more!  Copies are still available from local bookshops and online from Hebweb. This 68-page high quality soft-back lavishly illustrated with photographs in colour, sepia and black and white, it tells the story not only of Alice but of Crossley Westerman and his daughter, Ada, too, without whom there would be no collection.&#13;
&#13;
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&#13;
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&#13;
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&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
Alice's Album - The Story of a Hebden Bridge Photographer's Studio, has the answer and much more!  Copies are still available from local bookshops and online from Hebweb. This 68-page high quality soft-back lavishly illustrated with photographs in colour, sepia and black and white, it tells the story not only of Alice but of Crossley Westerman and his daughter, Ada, too, without whom there would be no collection.&#13;
&#13;
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&#13;
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&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
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&#13;
Founder of the studio in the early 1890s, Crossley Westerman could have had little inkling of the amazing retailing tradition he had set in motion, ending only with the death, 100 years later, of Alice Longstaff who took over in 1935.&#13;
&#13;
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&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
Alice's Album - The Story of a Hebden Bridge Photographer's Studio, has the answer and much more!  Copies are still available from local bookshops and online from Hebweb. This 68-page high quality soft-back lavishly illustrated with photographs in colour, sepia and black and white, it tells the story not only of Alice but of Crossley Westerman and his daughter, Ada, too, without whom there would be no collection.&#13;
&#13;
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&#13;
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&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
Alice's Album - The Story of a Hebden Bridge Photographer's Studio, has the answer and much more!  Copies are still available from local bookshops and online from Hebweb. This 68-page high quality soft-back lavishly illustrated with photographs in colour, sepia and black and white, it tells the story not only of Alice but of Crossley Westerman and his daughter, Ada, too, without whom there would be no collection.&#13;
&#13;
Founder of the studio in the early 1890s, Crossley Westerman could have had little inkling of the amazing retailing tradition he had set in motion, ending only with the death, 100 years later, of Alice Longstaff who took over in 1935.&#13;
&#13;
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Founder of the studio in the early 1890s, Crossley Westerman could have had little inkling of the amazing retailing tradition he had set in motion, ending only with the death, 100 years later, of Alice Longstaff who took over in 1935.&#13;
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&#13;
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&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
Alice's Album - The Story of a Hebden Bridge Photographer's Studio, has the answer and much more!  Copies are still available from local bookshops and online from Hebweb. This 68-page high quality soft-back lavishly illustrated with photographs in colour, sepia and black and white, it tells the story not only of Alice but of Crossley Westerman and his daughter, Ada, too, without whom there would be no collection.&#13;
&#13;
Founder of the studio in the early 1890s, Crossley Westerman could have had little inkling of the amazing retailing tradition he had set in motion, ending only with the death, 100 years later, of Alice Longstaff who took over in 1935.&#13;
&#13;
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&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
Alice's Album - The Story of a Hebden Bridge Photographer's Studio, has the answer and much more!  Copies are still available from local bookshops and online from Hebweb. This 68-page high quality soft-back lavishly illustrated with photographs in colour, sepia and black and white, it tells the story not only of Alice but of Crossley Westerman and his daughter, Ada, too, without whom there would be no collection.&#13;
&#13;
Founder of the studio in the early 1890s, Crossley Westerman could have had little inkling of the amazing retailing tradition he had set in motion, ending only with the death, 100 years later, of Alice Longstaff who took over in 1935.&#13;
&#13;
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&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
Alice's Album - The Story of a Hebden Bridge Photographer's Studio, has the answer and much more!  Copies are still available from local bookshops and online from Hebweb. This 68-page high quality soft-back lavishly illustrated with photographs in colour, sepia and black and white, it tells the story not only of Alice but of Crossley Westerman and his daughter, Ada, too, without whom there would be no collection.&#13;
&#13;
Founder of the studio in the early 1890s, Crossley Westerman could have had little inkling of the amazing retailing tradition he had set in motion, ending only with the death, 100 years later, of Alice Longstaff who took over in 1935.&#13;
&#13;
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&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
Alice's Album - The Story of a Hebden Bridge Photographer's Studio, has the answer and much more!  Copies are still available from local bookshops and online from Hebweb. This 68-page high quality soft-back lavishly illustrated with photographs in colour, sepia and black and white, it tells the story not only of Alice but of Crossley Westerman and his daughter, Ada, too, without whom there would be no collection.&#13;
&#13;
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&#13;
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&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
Alice's Album - The Story of a Hebden Bridge Photographer's Studio, has the answer and much more!  Copies are still available from local bookshops and online from Hebweb. This 68-page high quality soft-back lavishly illustrated with photographs in colour, sepia and black and white, it tells the story not only of Alice but of Crossley Westerman and his daughter, Ada, too, without whom there would be no collection.&#13;
&#13;
Founder of the studio in the early 1890s, Crossley Westerman could have had little inkling of the amazing retailing tradition he had set in motion, ending only with the death, 100 years later, of Alice Longstaff who took over in 1935.&#13;
&#13;
It's amazing enough for a business to survive for around a century but for it to be in the hands of only three proprietors makes for a fascinating story which "Alice's Album" tells from beginning to end.</text>
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                <text>General View, Hebden Bridge, Houses, Hurst Road, Keighley Road, Midgehole Road, Nursery Nook, Old Town, Places, Street Names</text>
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                <text>ALC00415. Looking across to Nursery Nook and Spring Wood Terrace at the junction of Midgehole Road and Keighley Road with Hurst Road going off diagonally left. Early 20th century pre First World War.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>PHDA - Alice Longstaff Collection</text>
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        <name>General View</name>
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                  <text>Alice Longstaff -  Gallery collection</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Classic images of Hebden Bridge and district.</text>
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              <description>An account of the resource</description>
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                  <text>Alice Longstaff (née Speak) (d. 1992 aged 85) was a remarkable lady. Born at Little Lear Ings farm in Heptonstall on May 16 1907, she started work at 14 years old, in September 1921, as apprentice photographer at the Westerman Studio, 25 West End, Hebden Bridge. Crossley Westerman had established the studio in 1890; on his death in 1918 his daughter Ada took over the business, and it was Ada who trained the young apprentice. Alice remained there for the next 70 years. In 1935 she and her family bought the business, and her brother Clement became the framer and darkroom technician, until he died in 1963. In 1935 Alice married John Longstaff who joined the business as picture framer when Clement died, and they continued to work together until her death in 1992.&#13;
&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
Alice's Album - The Story of a Hebden Bridge Photographer's Studio, has the answer and much more!  Copies are still available from local bookshops and online from Hebweb. This 68-page high quality soft-back lavishly illustrated with photographs in colour, sepia and black and white, it tells the story not only of Alice but of Crossley Westerman and his daughter, Ada, too, without whom there would be no collection.&#13;
&#13;
Founder of the studio in the early 1890s, Crossley Westerman could have had little inkling of the amazing retailing tradition he had set in motion, ending only with the death, 100 years later, of Alice Longstaff who took over in 1935.&#13;
&#13;
It's amazing enough for a business to survive for around a century but for it to be in the hands of only three proprietors makes for a fascinating story which "Alice's Album" tells from beginning to end.</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
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                  <text>Copyright (c) 2006-2017 Pennine Horizons Digital Archive</text>
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              <name>Creator</name>
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                  <text>Alice Longstaff and her predecessors.</text>
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              <name>Publisher</name>
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                  <text>Pennine Horizons Digital Archive</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>ca. 1890 - ca. 1990</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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                  <text>English (U.K.)</text>
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              <name>Coverage</name>
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                  <text>Upper Calder Valley, West Yorkshire</text>
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              <description>The nature or genre of the resource</description>
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                  <text>Documentary Photograph</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                <elementText elementTextId="355131">
                  <text>ALC</text>
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      <name>Still Image</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Hebden Bridge - View from Wood Top. - ALC00414</text>
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            <description>The topic of the resource</description>
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                <text>Baptist Chapel, Buildings, Calder Holmes, Canal, Canals, Church, Churches &amp; Chapels, Churches_&amp;_Chapels, Crossley Mill, Gas Works, General View, Goods Yard, Hebden Bridge, Holme House, Hope Baptist Chapel, Lancashire &amp; Yorkshire Railway, Lello, Mayroyd, Mill, Mills, Minster, Parks, Places, Princes Bridge, Railway, Railway Warehouse, Railways, Riverside School, Road, Rochdale Canal, Royd House, School, Schools, Station, Station Road, Transport</text>
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            <description>An account of the resource</description>
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                <text>Bottom centre the passenger station and to its left the large railway warehouse and goods sidings. Above them can be seen Riverside School, originally Hebden Bridge Grammar School which opened 1909. At the top of Station Road by Princes Bridge is Dora Lello's sweet shop and opposite it the gate which marked the contentious boundary of the railway company's responsibility.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>PHDA - Alice Longstaff Collection</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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        <name>Gas Works</name>
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        <name>General View</name>
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        <name>Goods Yard</name>
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        <name>Hebden Bridge</name>
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        <name>Hope Baptist Chapel</name>
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        <name>Minster</name>
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        <name>Railways</name>
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