Slide 6: In another bedroom inside the Hall is a fine white marble matelpiece, beautifully carved and of pleasing design. Note the two candle holders on top of the mantelpiece, carved out of the solid marble.
Slide 5 - In one of the Bedrooms is a fine four post bedstead carved and draped in the orthodox fashion of bygone days. It is called the 'Duke of York's bed', but for what reason, and on what special occasion it was so named, I am unable to say.
Slide 6 - In the same name and family through a succession of Viscounts, these estates continued till1825, when Lady Anne, second daughter and eventual heiress of Henry, last Earl of Fauconberg, married Sir George Wombwell, second Baronet and thus…
Slide 4 - Portrait of Mary, Countess Fauconberg. In the long gallery at Newburgh is a portrait by Sir Godfrey Kneller of Mary, Countess of Fauconberg and daughter of Oliver Cromwell.
After seeing all hopes of the sovereignty continuing in her own…
Slide 3 - Thomas Viscount Fauconberg. Thomas, his grandson, succeeded as Viscount Fauconberg, who nmarried first, Mildred, daughter of Viscount Castleton, and second, in 1657, Mary, third daughter of Oliver Cromwwell.
Slide 14 - In the Drawing Room, which we now enter, is a somewhat florid example of an 18th century mantelpiece in various coloured marbles. Over this is a painting which according to an accompanying tablet states it is a portrait of the Honourable…
Slide 13: The next Hutton who figures in history was another with the Christian prefix Matthew, who was born at Marske, January 8th 1692, and who entered the Church, and became successively Bishop of Bangor in 1743, Archbishop of York in 1747, and…
Slide 11: Marske owes its splendid library of books to Mr John Hutton, who died in 1863, aged 84. A view of the room in which the books are stored is now shown. Over the mantle-piece hangs a portrait of Matthew Hutton, who formed the destinies of…
Slide 10: The house is rich in family portraits, one of which is seen over the sideboard at the end of the Dining room, and is a portrait of John Hutton, died 1782. Note also the peculiar weight clock in an upright oak case, standing on three claw…
Slide 9: It is a fine apartment, and very characteristic of the period at which it was built, namely the early part of the 18th century. The furniture in the room has a substantial and homely character about it. Over the mantle-piece are the arms…
Slide 15: The interior of this fine old Mansion is most interesting, bearing come similarity to Haddon Hall. In the room known as "Lady Betty Hasting's Room" is a fine panelled oaken mantelpiece, bearing the date 1588, and the initials W.W, and E.W.,…
Slide 13: A door out of the Saloon leads into the Dining Room. The walls are wainscoted in oak formed into large panels. At the end of the room is an arched recess which forms an effective feature. The mantelpiece is a good example of work of the…
Slide 12: Having viewed the exterior of the house, let us now enter this ancestral home by the principle door facing the Quadrangle. On entering we pass through a pair of swing doors direct into the Saloon, a spacious apartment, filled with costly…
Slide 3 - This shows the inner entrance hall of Chevet. The staircase shown through the archway, has evidently been erected in Tudor times, by Sir John Neville.
Slide 2 - In the house are many portraits of the Pilkingtons, brought from Stanley Hall, (some of which are shown in the photograph which is a view of the Dining Room) and many paintings which Sir Lionel Pilkington brought from Italy.
Tinted lithograph of Whitely Arches by A. F. Tait from his book 'Views on the Manchester & Leeds Railway' published in 1845. The valley is so narrow at this point with the river, canal and turnpike all squeezed into the valley bottom that with the…
Tinted lithograph of the station by A. F. Tait from his book 'Views on the Manchester & Leeds Railway, published in 1845. This section of the line had opened in October 1840.
Created by Jamie Wardley of Sandinyoureye as part of the Hebden Royd Town Council commemoration of the start of WW1. Entitled 'Loss is Eternal' it depicts the receipt of a notification of the death of a loved one.